Blog

Following on from last week’s post on Peter Wollen’s association with the S.I, I will today be sharing some illuminating materials on Authorship. Authorship is explored in the above link as a conversation between Peter Wollen and artist Kathy Acker.  Acker’s critical goal is to decentralise the ownership of authorship; the recoding illuminates the complexities of who is speaking through whom in the novel ‘Don Quixote’.

Continue reading “Peter Wollen on Authorship”

This post makes available a series of texts related to our screening of Segunda Vez (https://www.ica.art/films/second-time-around-q-a).

The film is an essayistic response to the work of Argentinian author, critic, artist and psychoanalyst Oscar Masotta (1930–1979). As part of the research project Dora Garcia also produced a book translating texts by Masotta, and bringing his texts into dialogue with other important writers and thinkers.

Continue reading “Reading Material for Segunda Vez (Dora Garcia)”

Coinciding with our upcoming exhibition ‘Art at the Frontier of Film Theory’, I will be sharing a series of illuminating articles, interviews and other resources concerning the relationship between art history, art movements and the work of Laura Mulvey and Peter Wollen, on a weekly basis.

Continue reading “Peter Wollen on the Situationist International (SI)”