Dora García is an internationally renowned Spanish artist and researcher whose work deals with the parameters and conventions of the presentation of art, questions of time – real or fictional – and the limits between representation and reality. She uses various supports to generate contexts in which the traditional system of communication – transmitter, message, recipient – is altered, thus modifying the traditional relationship between artist, work and public. In 2011 she represented Spain at the Venice Biennale.
In the 1977 film Riddles of the Sphinx, Laura Mulvey explains that the ‘Oedipus myth associates the voice of the Sphinx with motherhood as mystery and with resistance to patriarchy’. With a metaphoric connection in the Sphinx’s riddle and resistant motherhood, Mulvey and Wollen explore the film’s themes through everyday depictions played by actors. The scenes are bookended with an opening and close in which Mulvey speaks directly to the camera, suggesting the ultimate dilemma to with ‘motherhood and how to live it, or not to live it’.Continue reading “Resistant motherhood”
For each of the filmmakers who have work at this years Essay Film Festival we are creating special profiles on our festival blog. The purpose of these profiles in to share a range of resources to benefit those interested in learning more about their work.Continue reading “EFF Filmmaker Profiles: Christopher Harris”
Following on from last week’s post on Peter Wollen’s association with the S.I, I will today be sharing some illuminating materials on Authorship. Authorship is explored in the above link as a conversation between Peter Wollen and artist Kathy Acker. Acker’s critical goal is to decentralise the ownership of authorship; the recoding illuminates the complexities of who is speaking through whom in the novel ‘Don Quixote’.Continue reading “Peter Wollen on Authorship”